Let’s start with full disclosure. The director of
this film, John McPhail, was one of my students. He generously credits me with
teaching him some of what he knows. That said, he did put the hard yards in
himself. He still, I believe watches a film every day including Escape from New York (1981) once a week.
It takes all sorts, I suppose.
I mention this for context because, in the best
traditions of Alan Hansen and Manchester United’s kids, I believe I may have
told him more than once there was no future in zombie movies. Colour me
embarrassed – and also rather proud of his accomplishment with a film that
breaks new ground for the Scottish film industry.
Anna and the
Apocalypse could be a game changer for the local sector. This is not
Scottish miserabilism, this is a Scottish version of High School Musical (2006) with a big dollop of Night of the Living Dead (1968). It presents all of the expected zombie movie
tropes, but does it in song and with an unbridled enthusiasm that defies you to
dislike it.
The plot is standard Romero. The small town of
Little Haven – actually Port Glasgow – has been hit by a zombie apocalypse at
Christmas. Anna (Ella Hunt) and her friends take refuge first in a bowling
alley but then they have to battle across town to her high school to be
reunited with her father (Mark Benton).
It’s an inspired idea and the film comes joyously
to life thanks to the energy of the performances and a superb set of songs from
Roddy Hart and Tommy Reilly. In the best traditions of the genre Anna is
oblivious to what’s going on and her big number Turning My Life Around,
sung while the apocalypse is going on full swing around her (above), is one of the best
scenes in any Scottish movie, ever.
Let’s be clear, the film is far from perfect. They
don’t have a lot of money and they do a lot with what they’ve got, even so it
does rather run out of steam towards the end in a slightly problematic third
act.
On the plus side it has unbridled energy, passion
and enthusiasm and with Ella Hunt as Anna they have a potential star in the making.
The great songs and lively performances are handled by a director whose passion
for this film can be seen in every frame.
Anna and the
Apocalypse is one of those movies that reminds you that, before they discovered
the art, cinema was meant to entertain, which this does splendidly. But then, I
might be biased.
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