This film’s Sunday name is Fast & Furious Presents: Hobbs and Shaw which is a cumbersome
and slightly obvious way of tying it into a 5 billion dollar franchise. The
notion that a film starring two of the biggest action stars in the business
needs a bit of superfluous branding to guarantee box office success is just
silly.
The reviews will be sniffy but the men and women
behind Hobbs and Shaw – because, be
honest, that’s what everyone is calling it will be laughing all the way to the
bank. This is a film that promises exactly what it delivers and exactly what
the audience wants, and that is a sure-fire recipe for success.
Apart from the fact that Luke Hobbs (Dwayne
Johnson) and Deckard Shaw (Jason Statham) are key characters in the Fast and Furious franchise – in fact
they gave it a much-needed shot in the arm when they turned up- there’s not
much to connect this to the source material. This is more along the lines of
vintage Eighties buddy action cinema. Tango
and Cash (1989) comes to mind and that’s fine by me.
The plot, such as it is, concerns a deadly
super-virus which threatens all mankind. Our polar opposite heroes form a
mismatched team to prevent the bug from falling into the hands of
genetically-enhanced supervillain Brixton (Idris Elba). The bigger issue is
that the virus is currently in the blood stream of Vanessa Kirby, playing
Shaw’s sister Hattie, and they have only 72 hours to extract it and contain it
safely.
It’s all so much nonsense, as most of these plots
are. What matters here is the execution and this is a first class example of 21st
century action cinema. The heroes are oversized, the script is appropriately bantery,
the stunts are spectacular, and the craft skills involved are highly
impressive. A shout out too for the Glasgow locations which look impressive and
seamlessly integrate with the other footage.
This is a film that does exactly what it says on
the tin and that’s exactly what I want to see at this time of year.
Johnson and Statham are very good at doing what
they do. They each exude their own particular brand of macho without too much
difficulty. The real issue with the film for me is Idris Elba who is something
of an empty suit as the bad guy. While Johnson and Statham provide a casual
sort of stardust, Elba is just trying too hard.
The bad guy is a plum part in an action movie –
think Alan Rickman or Jeremy Irons in the Die
Hard franchise for example. Here Elba
stands around spouting some heavy handed exposition and the film passes him by;
it’s a role anyone could play.
The one standout performance for me – apart from
two knock-out surprise cameos – comes from Vanessa Kirby as Shaw’s sister. Just
as in last year’s Mission: Impossible –
Fallout she is the buffer zone for all this testosterone and again does it
very well. Her character has agency in
her own outcome, doesn’t need any rescuing, and contributes on the same level
as the others – we could do with more of that.
The one thing that did strike me about Hobbs and Shaw and Mission: Impossible for that matter is how irrelevant they appear
to have made the Bond franchise. The current James Bond movie is beset by all
sorts of unfortunate problems but to be honest if it was never released, I
don’t think I would miss it.
The Bourne
series along with Fast and Furious
and Mission: Impossible have
reinvented themselves for contemporary audiences. Bond still seems mired in the
20th century so perhaps it’s time to hang up his shoulder holster
and make way for the inevitable Hobbs and
Shaw franchise.
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