The Fantastic Four 2015 style |
Why does Hollywood still struggle with the idea of a
Fantastic Four movie? They hit it out of the park when it comes to the Avengers
but the World’s Greatest Comic Magazine leaves them stumped.
There have been four attempts. I actually have a
soft spot for the 1994 version which is not as bad as most of those who haven’t
seen it insist it is. The 2005 version was encouraging although the sequel fell
a bit flat. But this new version commits the unforgiveable crime of being
unbelievably dull; not to mention incoherent. It plays like 100 minutes of blah in an excitement-free zone..
This is a re-imagining of the super-powered quartet in their teen
incarnations from Marvel’s Ultimates Universe which wondered what classic
characters would be like if they had been invented post-Millennium. Even though
the characters are younger this film lacks the gee-whizz enthusiasm of the
Ultimate series.
In the original incarnation scientist Reed
Richards, his girlfriend Susan Storm, her brother Johnny, and Reed’s college
buddy Ben Grimm went into space but cosmic rays bombarded their spaceship. When
they returned to earth they had strange new abilities. Reed could stretch, Sue
turned invisible, Johnny burst into flames, while Ben became a hulking giant
with skin like rock. Their powers, if you like, were manifestations of their
subconscious selves.
Nonetheless they became costumed adventurers,
spurned the usual comic book trope of the secret identity, and lived their
lives in public. They were super-celebs with all of the attendant problems that
brought.
The first 114 issues of the comic were written by
Stan Lee and drawn by Jack Kirby and constitute the single best, most
thrilling, most exciting, and just plain fun series of episodes in comic
history. Just look at these covers. This is four-colour magic.
At heart Lee and Kirby realised that they were
dealing with a family, an almost literal nuclear family. This was the superhero
as soap opera and Stan and Jack embraced the whole glorious absurdity of it
all. That go for the gusto approach is what’s missing here. The Avengers is
essentially a Western – a bunch of good guys team up to defeat the villain –
but the Fantastic Four is character-based.
That’s where this film falls down; we need to love
them but here we barely know them. It is an emo-version of the Fantastic Four.
Costumed adventurers become mopey teenagers as Reed attempts to conquer
trans-dimensional travel. Their visit to this other world with their slacker
pal Victor von Doom – a characterisation that borders on heresy – leaves them
with strange abilities. But the second half of the film makes so little sense
we don’t really know how they feel about this; evidently waking up to find
himself literally on fire from top to toe doesn’t bother Johnny too much.
Although the film starts promisingly it quickly
runs out of steam. Incidentally by my calculations the FF in this film are
about 17 yet they are played by two 28-year-olds, a 29-year-old, and a 32-year.
Remarkably that’s not the least of this film’s problems.
It just doesn’t make sense. I get the impression
that heroics have been performed in the cutting room to get some kind of film
out there but my feeling is there just isn’t enough coverage to get anything resembling
a coherent drama.
The whole film is like a trailer for another movie
which I don’t especially want to see. But given the box office showing of this
film, and the alleged row between the studio and Marvel, I don’t think I’m
going to have to worry about that for quite some time.
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